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EISERT HALL – HER PROJECTS

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EISERT HALL WRITES ABOUT HER PROJECTS

This small installation seen in the Jpeg sent comes from three related projects and three subject areas; Sun Moon, allusion to universal space; Robotic Dog Fluffy with Artificial Intelligence; allusion to human activity, technology and last subject Ancient Neolithic Script; allusion to an ancient culture and research of archaeologist Marija Gimbutas who had traced the script symbols and art works through to deep past in her research publications. Neolithic’s were people who initiated religious patterns through love of nature establishing the pattern of life and death as natural, was seen in natures birth and abundance that slips into death but returns in the spring. This belief and veneration is evident in the multitude of art objects covered with ancient script. These were formed carved in wood and formed in clay.
Neolithic materials were found in the lower strata of excavation below the later culture of upper strata where weapons abounded. The art work, establishes a deeply religious and caring people who loved young life whether children or all others. Women were leader of spiritual affairs and developers of agriculture and social matter of community. They were venerated as leader. Statues were made in veneration of women. Thousands of statues reveal this in that society.
Access to the robotic Dog, named Fluffy was through volunteering for a student’s Master’s thesis. The relationship lasted during a period of three months in which I took notes on the events.
Typical of my artwork which is interdisciplinary, often diverse multimedia, standing on guard to unify through use of hybrids what to me seem divided and destroyed in the past. Projects of seemingly diverse nature are linked reconnected to make a point. I have brought together allusion to our universe, technology and last but not least reference to what has been called Prehistory of ancient cultures that little has been heard. They underwent a brutal attack around 3,500 B.C.
Levels of my relationship to Fluffy included learning her language which composed of her natural smooth articulation of joints when walking, bodily movements which captivated my sense of the natural world of dogs and many other nuances of movement that captured my empathy and seemed to transfer onto other machines. So, what can we learn from artificial intelligence?
A powerful leader in the world allegedly stated; “whoever owns the power of artificial intelligence will rule the world.”
Wisdom would state; “a world of nature that knows how to rule itself does not need our help.”
Painting my relationship to Fluffy the robot with artificial intelligence was natural and quick. I have learned in my career to know when to turn over my brush to the subconscious. I knew that was the way to go as I was in need of this unknown source to manifest and understand what my consciousness might block. The result is astounding to me. As an artistic expression it is tops but as an expression of my subconscious it is dealing with my deeper understanding of collective human nature. What I see here I will not share except to say give us strength to weather what comes from our weapon baring gun toting society. I look back to the people who died when that hoard of horseback riding weapon baring people attacked our ancestors. They came in from the south east and made way through Europe ravaging and all the crime that is done in any war —- I speculate and have researched the results that this act was a game changer for all the world in regards to war and non-war societies.

Creating a New Work of International Art

I have asked two artists to collaboate to create a new work of art.

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Award winning Canadian artist Eisert Hall has provided photographs of her visual art and writes of research for creating her art works. Iranian graphic designer, Marsa Arbab, has created a poster to illustrate major themes explored by Eisert Hall. This publication invites you to enjoy this new piece of International art.

Thank you Eisert Hall and Marsa Arbab for your creation.

LANDSCAPE AND NATURE PHOTOGRAPHY FROM WESTERN CANADA- PHOTOGRAPHY OF BARRY PHIPPS

My cousin, Barry Phipps, has sent me more of his excellent photo graphs which I post for a wider audience.

These photographs are from Alberta, where Barry lives and where I used to live. Other photographs are from Vancouver Island. All capture the nature and beauty of Western Canada._DSC0612_DSC0684_DSC1103_DSC0857_DSC0992_DSC0480_DSC1317

Links to Courtney’s Writing

My young cousin, Courtney, has written interesting poetry.  She has shared two links with me which I now share with you.  With Courtney’s work, I post a photograph taken by her uncle, Barry, the photographer whose work I have posted on several occassions.

I am proud to have a family with such creative and artistic talent._DSC0480

 

https://www.quotev.com/story/9799813/The-Fragility-of-Life

https://www.quotev.com/story/9752096/Eternity

WATER IS LIFE!

WATER IS LIFE: The Creative Arts and Climate Change

The Creative Arts are providing information to people about climate change and water issues. I provide a sample of sites showing how artists, filmmakers, activists and the United Nations COP 21 and COP 22 are addressing these issues.

https://www.theguardian.com/artanddesign/jonathanjonesblog/2016/jun/06/louvre-closure-flooding-paris-climate-change

ALERTED BY FILM!

https://www.theguardian.com/environment/2016/oct/14/before-the-flood-leonardo-dicaprio-hopes-his-new-film-will-inspire-climate-action

ALERTED BY PAINTING!

Bangladesh:

https://www.theguardian.com/environment/2009/oct/16/jamie-hewlett-flooding-global-warming-bangladesh

Rivers in Manila, Philippines:

http://www.bbc.com/news/world-asia-36394985

ALERTED BY PEOPLE PROTECTING THE WATER!

Disputes arising from the North Dakota Pipeline have caused indigenous people to speak out in protection of their lands and water:

https://en.wikipedia.org/wiki/Dakota_Access_Pipeline

http://www.nbcnews.com/storyline/dakota-pipeline-protests/dakota-access-pipeline-what-s-behind-protests-n676801

https://www.facebook.com/bbcnews/videos/10153884344402217

Water disputes in my home province and country, Alberta, Canada

http://www.theglobeandmail.com/news/national/first-nations-alberta-seek-compromise-on-water-rights/article32466338/

WHAT METHODS ARE BEING USED FOR DISPUTE RESOLUTION?:

Government and local community planning; International Organizations; the Courts;  Arbitration; Mediation; Collaboration, Activist protests or …?

I BELIEVE THE CREATIVE ARTS PLAY A VALUABLE ROLE IN BRINGING AWARENESS TO DISPUTES AND METHODS BEING USED TO RESOLVE THESE DISPUTES.  THESE  ARE ISSUES THAT AFFECT EACH OF US.

http://www.cop22-morocco.com/

http://mediatorsbeyondborders.org/

http://www.tandfonline.com/doi/abs/10.1080/01944368508976423?journalCode=rjpa20

http://ascelibrary.org/doi/abs/10.1061/(ASCE)LA.1943-4170.0000028

CLEAN WATER IS A CLIMATE CHANGE ISSUE AND IT IS OUR ISSUE.

NATURE PHOTOGRAPHY FROM SOUTHERN AND CENTRAL ALBERTA, CANADA

 

PHOTOGRAPHS OF BARRY PHIPPS, CALGARY, ALBERTA

THANKS BARRY

 

VIEW FROM RED ROCK ROAD, WATERTON LAKE NATIONAL PARK, AB.

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SUNRISE, WATERTON LAKE NATIONAL PARK, AB

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ELK, WATERTON NATIONAL PARK, AB

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HORNED OWL

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NORTHERN HARRIER HAWK, NEAR CAMROSE, AB.

 

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YELLOW RUMPED WARBLER, CARBURN PARK, CALGARY

 

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HARRIER HAWK, HUNTING, NEAR CARBON, ALBERTA

 

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KESTREL, NEAR GULL LAKE, AB

 

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MERGANSER

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ELEVATORS AND TOWN OF NANTON, ALBERTA

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INDIGENOUS ART AND CLIMATE CHANGE

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THE COP21 AGREEMENT of December 12, 2015

The United Nations Framework Convention on Climate Change:

Recognize that climate change represents an urgent and potentially irreversible threat to human societies and the planet and thus requires the widest possible cooperation by all countries, and their participation in an effective and appropriate international response, with a view to accelerating the reduction of global greenhouse gas emissions;

Acknowledge that climate change is a common concern of human kind, Parties should, when taking action to address climate change, respect, promote and consider their respective obligations on human rights, the right to health, the rights of indigenous peoples, local communities, migrants, children, persons with disabilities and people in vulnerable situations and the right to development, as well as gender equality, empowerment of women and intergenerational equity;

Agree to uphold and promote regional and international cooperation in order to mobilize stronger and more ambitious climate action by all parties and non-party stakeholders, including civil society, the private sector, financial institutions, cities and other sub national authorities, local communities and indigenous peoples.

Indigenous Art and Culture

It is clear that indigenous art is providing a message about Climate Change:

http://grist.org/climate-energy/check-out-these-9-climate-art-projects-that-are-wowing-people-in-paris/

http://www.indigenousclimate.org/

I have gathered information on line to show that the indigenous art community is providing an international message for climate change. I provide links to illustrate some of the projects focusing on indigenous people and their cultures.

http://crossart.com.au/archive/197-jadagen-warnkan-barnden-changing-climate-in-gija-country

http://www.eucentre.unimelb.edu.au/wp-content/uploads/2015/06/art-climate-change-roundtable.pdf

The Art of Climate Change Action by Amir Bagheri

http://glacierhub.org/2016/06/08/indigenous-art-promotes-resilience-in-the-face-of-climate-change/

http://cargocollective.com/climatechangestoriesforsocialjustice/Sami-Reindeer-Herders-Scandinavia-Norway-Finland-Sweden-Russia

IN MY HOME COUNTRY, CANADA, the Canadian Art journal provided:

http://canadianart.ca/reviews/sakahan-international-indigenous-art/

I share work of indigenous artists and First Nations communities who have taken a special interest in sharing the teachings of indigenous people.

http://reusingoldgraves.weebly.com/alice-pelot/dont-spend-it-all-in-one-space-unless-its-at-the-ago-to-make-a-grouping-of-things-not-related-to-the-clim

I share the story of First Nations artist, Duane Linklater

http://www.woablog.com/2016/09/alumni-horizon-award-recipient-a-voice-of-his-generation/

I share creative art in the form of Text, Film and Storytelling:

Turtle Lodge in Manitoba, Canada and The Great Binding Law

The Great Binding Law was presented by Anishinabe, Nehetho (Cree) and Dakota Knowledge Keepers  from their place of strength, the Turtle Lodge, in response to the Assembly of Manitoba Chiefs’ request for them to offer guidance and leadership in response to the National Energy Board’s request for input on possible pipelines entering their territory.

Great Binding Law to be raised with the lifting of the Totem Pole at Turtle Lodge: September 6, 2016

STRENGTHENING THE SPIRIT OF NATIONHOOD THROUGH MIDE ANIICINABE AKIING (KIND-HEARTED PEOPLE OF THE LAND) GATHERINGS

On October 17 and 18, 2016, Elder and Youth representatives from many First Nation communities met at the Turtle Lodge to discuss how to strengthen nationhood at the Strengthening the Spirit of Nationhood Gathering. Communities came together over the issue of protecting and bringing out leadership protocols for the sacred site of Manitou Api.

They decided to build the spirit of unity and nationhood by initiating monthly gatherings to share teachings, hosted by a different community each time, around each new moon, in their local lodges and community centers.

With the help of Knowledge Holders, who shared the very old language, the communities named this process Mide Aniicinabe Akiing (pronounced Mi-day Anee-ci-na-bay A-keeng), which means “Kind-Hearted People of the Land”.

Recent advice: The Earth is Changing and So Must We.

http://www.turtlelodge.org/2016/10/onjisay-aki-the-earth-is-changing-and-so-must-we-2/

https://www.youtube.com/watch?v=Gzv383Q65OY

ARE WE LISTENING TO THE MESSAGES OF COP21 AND THE VOICES OF THE INDIGENOUS COMMUNITIES?

http://www.theglobeandmail.com/news/national/first-nations-alberta-seek-compromise-on-water-rights/article32466338/